During the 16th century, as in the centuries both before and after, marriage was a state that most aspired to - it gave both men and women status not only as full adults but, in the case of men, that of householder. Without marriage, women had few opportunities to independently support themselves. Except for those … Continue reading ‘It is an action like a stratagem in war where man can err but once’ – Choosing a spouse in 16th century England
Research
A Glimpse of Elizabethan Norwich
My novel, The Bridled Tongue, is set partly in Norwich. Although Norwich suffered extensive bombing during World War II, there are numerous areas where Norwich's history is still plain. In 2016 I visited Norwich and so was able to glimpse the streets and sights that would have been familiar to my 16th century characters. While … Continue reading A Glimpse of Elizabethan Norwich
Assume Nothing
Recently I have read several books where historical implausibilities have just leapt off the page at me - female cooks in the Manor house of a substantial gentry family in the 1530s, characters attending a play several years before the playwright was even born, a twelve year old girl reading a banned book that was … Continue reading Assume Nothing
Hilary Mantel’s Reith Lectures 2017
In the Reith Lectures this year Hilary Mantel discusses what is at the heart of good historical fiction, our relationship with the past, and the central elements in a historical novelist's attempt to bring the past alive for us today. As Mantel herself says 'The reason you must stick by the truth is that it … Continue reading Hilary Mantel’s Reith Lectures 2017
Early Modern Women – Elizabeth Paston (1429-1488)
I have been fascinated by the 15th and 16th centuries since I studied Early Modern British history in my first year at university. In my reading over the ensuing years I have caught sight of people who had no influence on the grand scheme of things yet they brought history to life, reminding me vividly that … Continue reading Early Modern Women – Elizabeth Paston (1429-1488)
Revision, revision, revision
I regard writing as in some ways like sculpting with clay. In sculpting the starting point is a design and an armature (the framework on which a clay sculpture is moulded), with writing most of us begin with a general idea of the story we want to tell and the arc it will follow even … Continue reading Revision, revision, revision
Language in Historical Fiction
I suppose I am getting ahead of myself blogging about the way I write historical fiction when I have nothing published yet, so these are as much the thoughts of a reader as a writer. While the details of place, and manners and customs play a large part in creating the historical world, the style … Continue reading Language in Historical Fiction
What’s in a name?
Quite a number of factors need to be taken into account when choosing the names for characters. Some apply to any form of fiction such as ensuring that the character names are distinct and not easily confused with other characters, that they do not sound alike or look similar on paper. Even initials need to … Continue reading What’s in a name?
Maps
Quite some years ago I applied for a job cataloguing maps. The interview was going well when one of the interviewers placed a map in front of me and asked me how I would catalogue it - it was a cadastral map overlaying a topographic map of an area of Melbourne in the 1880s. I … Continue reading Maps
Hobart 1879
Not strictly speaking a photograph but definitely almost photographic in its detail. This pictorial map of Hobart in 1879 by A.C. Cooke is an invaluable resource for researchers and writers. It gives an idea of the life of Hobart at the time - buildings that no longer exist such as the Campbell Street Gaol, unpopulated … Continue reading Hobart 1879
Catherine Meyrick 